Available as an e-book (PDF and ePub formats) download for US$9.99
Buy the bundles
Fontographer 5.1 for Mac OS X (for Mac OS X 10.4 or higher) PLUS David Bergsland's Practical Font Design, FOG Ed. (eBook) US$408.99
Fontographer 5.1 for Windows (XP, Vista, or 7)PLUS David Bergsland's Practical Font Design, FOG Ed. (eBook) US$408.99
About the e-book
A rewritten, expanded 3rd edition plus new materials giving a
practical walk through the process of designing a font and families with Fontographer, v.5.
This is not about artistic considerations, but the practicalities of
putting a font together. On the other hand, the design approach is fine
art. David's training is as a fine art printmaker: etchings & stone
lithography.
The
basic procedures used for font design are found in this book. It is a step by step following of creating new font designs
with tips and comments along the way.
This is not a book for programmers and scripters. This is a book for
graphic designers and typographers who love type and want to make their
own fonts?either for themselves or to sell.
In the process of writing this book several things were
developed that you might find useful in your design process. In general
these are pieces of copy or files that will save you the time
required to make your own. There are lists of composite glyphs to
generate, an OpenType features file, and a text file to use when
generating metrics and kerning tables. You can find them on this page.
Other linked resources include:
A standard 256 character font to start from.
A 371 character OpenType font and feature file.
A text file to use in letterspacing and kerning by hand.
A 577 character OpenType template with the feature file.
Three more OpenType templates.
Here's an abridged table of contents for you to see what is in the book:
Fontographer or FontLab? Which one should you use? Who is this book written for? The key role of Fontographer in the font revolution Defining typography Some type terminology How do you draw with paths? Type drawing tools The Fontographer Toolbox The transformation tools The Pen Tool A Revised Decorative Font The Font Info dialog Using the Layers palette Modifying a font Building a pieces glyph Pasting in the components Fixing all the special characters Moving on: a new font Setting up the font Doing the caps Developing a work style Doing the lowercase If you do not like my serifs or weight decisions Finishing the lowercase Letterspacing Looking at letterspacing conceptually, What is the goal? Auto-spacing in Fontographer If you are going to sell your fonts Accents (diacritics) and composites Currency glyphs & other specialities Ligatures, Swashes et al OpenType features Designing oldstyle figures Building the small caps Finishing the letterspacing Auto Kern settings Dealing with the small caps Finishing the font Fixing the rough glyphs Doing a bold version This is where you find out how well you drew the original font Dealing with the different weights Adding an italic Generating a font Web fonts Beginning a new font of your own Type Classifications The entire oldstyle period Sans serif classifications Current fashion Mimicking handwriting Starting to draw a new font Dealing with scans & stuff Developing a standard procedure An order of creation Letter construction tips Number construction tips Appendix A: Advanced Letterspacing Hand letterspacing fonts Fontographer?s Metrics panel Letterspacing as you draw Conforming your options to reality Using the Metric Panel Some letterspacing tips Appendix B: Dealing with OpenType & Resources Index
Richard Fink wrote a review of the 3rd edition (very similar) here.
If you're really interested in following the text and learning by doing, a companion spiral-bound workbook is available from Lulu .
Practical Font Design - 3rd ed.
Practical Font Design
The Revised and Expanded Third Edition
by David Bergsland
Buy the e-book
Available as an e-book (PDF and ePub formats) download for US$9.99
About the e-book
A rewritten, expanded 3rd edition including the second edition of part one and
part two (on building book font families) plus new materials giving a
practical walk through the process of designing a font and families using FontLab Studio.
This is not about artistic considerations, but the practicalities of
putting a font together. On the other hand, the design approach is fine
art. David's training is as a fine art printmaker: etchings & stone
lithography.
The
basic procedure we use for font design is found in this book. It is a step by step following of new font designs
with tips and comments along the way.
This is not a book for programmers and scripters. This is a book for
graphic designers and typographers who love type and want to make their
own fonts?either for themselves or to sell.
In the process of writing this book several things were
developed that you might find useful in your design process. In general
these are pieces of copy or FontLab files that will save you the time
required to make your own. There are lists of composite glyphs to
generate, and OpenType features file, and a text file to use when
generating metrics and kerning tables. You can find them on this page.
Here's a condensed table of contents for you to see what is in the book:
A practical approach to classifying fonts 9
Type drawing tools 33
The creation of a font 47
Starting to draw 67
Letterspacing 109
Generating fonts for testing 123
Making composite glyphs 127
Adding OpenType Features 133
Kerning your new font 151
Tracing drawings & artwork 163
Designing font families 171
Building the Display version 243
Richard Fink says:
"If you?re looking for a brief, straightforward introduction to fonts, I recommend David Bergsland?s Practical Font Design.
Unlike a lot of books that make you feel like you?re seated in the back
row of a crowded lecture hall, this one feels like a private tutorial."
These beautiful posters make
great decorations for classrooms, studios, offices, even dorm rooms!
And not only are they good-looking, but each one is a reference work in
its own right. Buy the bundle and save 50%!
1. Periodic Table of Typefaces
by Cam Wilde
A
takeoff on the periodic table of elements illustrating the top 100
typefaces of all time, from Helvetica (#1) to News Gothic (#100),
grouped by font style with an example from each typeface.
24 x 36 inches
US$19.95
2. Designing Type
by
Karen Cheng, Associate Professor and the Chair of the Visual
Communication Design Program, University of Washington, and author of
the book Designing Type
An award-winning poster of techniques of Latin type design
University and College Designers Association Annual Competition, 2008 Excellence Award for FontLab Educational Poster
Linotype Helvetica Now 2007 Poster Contest FontLab educational poster, placed 21st from more than 1400 entries.
27 x 39 inches
US$19.95
3. Type Terminology
by Mandi Pralle, Adjunct Instructor at the Art Institute of Colorado
A
new update of our poster of illustrations and definitions of terms
frequently used in type design including all the parts of a glyph,
different font styles, spacing nomenclature, etc.
A family tree of the italic typeface, including the original, its descendants, relatives and illegitimate offspring. Nicely done with portraits of the great type designers and examples of their work.
24 x 36 inches
US$19.95
Shipping
We ship posters by first class mail.
Bulk orders
Special Bargain Bundle - buy posters #1-#5 (all 5 of them) for only US$59.79 - a 40% discount!
We
sell orders of multiple posters, either the same poster or mix and
match, at a discount. Please contact our order department (orders @
fontlab.com) for a quotation.
Learn FontLab Fast
Learn FontLab Fast; A Simplified Manual
"Learn FontLab Fast" by Leslie Cabarga is a simplified guide to creating fonts using the Fontlab Ltd. series of applications including TypeTool , FontLab Studio 5, and Fontographer. On 164 picture-packed pages in 8 x 10-inch format, he goes through the process of font creation from concept to installation. The book has been written to enable users to dramatically cut down the learning curve required to master FontLab and its sister programs, TypeTool, and Fontographer. Author and designer Leslie Cabarga (who also wrote Logo, Font, & Lettering Bible) packed Learn FontLab Fast with illustrations, diagrams and screenshots, and cut the text to a minimum so learning to create fonts that you can load onto your own computer and/or distribute commercially becomes easy and enjoyable
The book explains drawing and editing glyphs, metrics and kerning. There is information about OpenType, encoding and other mysteries of the font header, contributed by the book's technical editor Adam Twardoch.
Learn FontLab Fast begins by explaining the techniques used by five established font designers to create their own fonts. The book will tell you everything you need to know to: begin using the program; to open existing fonts and create new ones; to scan your sketches and add them as backgrounds; to paste drawings into FontLab from Adobe Illustrator; to understanding and using the brush and pen tools to draw glyph characters; to correctly setting up parameters in the Font Info window so your fonts will perform correctly on any computer; to making Type 1, TrueType and OpenType fonts; to spacing, kerning and hinting fonts; to adding accented characters; to using components and anchors; to setting up font families; to making OpenType fonts with special features and organizing those features into classes. The book also features an extensive, cross-referenced "find-anything" Index.
Beginners will appreciate the logical structure and detailed illustrations. Experienced users will learn new tips and tricks. Everything you need to know about creating a font is packed into this volume. To get your copy (only US$26.95) just follow the link to http://www.logofontandlettering.com/ to see all of Leslie Cabarga's logo and font related books. You can also click this *link* to order directly from Fontlab .
Leslie Cabarga is an illustrator, designer and font designer who has authored over two-dozen books on graphic design. His illustration has appeared on the covers of such magazines as Time, Fortune, Newsweek, National Lampoon, and Los Angeles. He has created over 40 fonts including Magneto Bold, Streamline, Rocket, BadTyp and the Kobalt Family. Leslie's previous book, "Logo, Font & Lettering Bible," has received high-praise from many respected typographers and designers such as Matthew Carter, Roger Black, Rian Hughes, Jim Parkinson, Daniel Pelavin, Jill Bell, Alan Haley, Dirk Uhlenbrock, Hrant Papazian, Filip Blazek and Thomas Phinney. Where the Logo, Font & Lettering Bible teaches how to draw letters and comprehend all the rules of letterform design, Learn FontLab Fast goes the next step in teaching how to actually take those letters and make them into fonts.
Leslie figured he was the perfect guy to write Learn FontLab Fast, since he didn't know beans about the program. "I figured that I was the average designer trying to learn FontLab who didn't want to have to wade through the densely-written 700-page program manual," Leslie says. "So every time I felt confused, I got my answers directly from the creators of FontLab and then I made it my business to explain the procedures I was learning in simple terms, and with plenty of pictures, to make the kind of manual I wanted to read myself."
Dan Solo and Dover Press have about a dozen of these type sample books out. A very inexpensive way to get a good idea of a particular typographic genre.
Gets down to the nitty gritty of digital type. Covers both Mac and PC perspectives and has chapters on e-mail and graphic type as well. Includes a CD with 200+ typefaces and Hey! a FontLab demo!
CONTENTS: 1. Postscript and TrueType Fonts: The Basics 2. Postscript and TrueType Fonts on the Macintosh 3. Postscript and TrueType Fonts with Microsoft Windows 4. Cross Platform Issues 5. Working with Characters 6. Ligatures and Expert Set Characters 7. The Rules of Digital Typography 8. E-mail Typography 9. Type as Graphic Element 10. Choosing Typefaces 11. Typefaces (Examples)
by Ilene Strizver ISBN-10: 047172114X ISBN-13: 978-0471721147
A comprehensive book (224 pages) on the niceties of typographic composition. Every chapter is loaded with illustrations and examples and has exercises to drive home the points. And there's even a chapter on making your own typeface.